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Somethings like a Thing, Sometimes like Every time, 2018

6 channels video Installation,

4K video, sound, color,

Black room; dimension variables,

Duration Channel A 30min, loop            

              Channel B 10min 20sec, loop

              Channel C 10sec 20sec, loop

              Channel D 3min 55sec, loop

              Channel E 3min 55sec, loop

              Channel F 1min 55sec, loop

 

Anupong has developed his video art presenting a multi-channel video, illustrating issues about the sight of the geopolitical deceptive power, which has created geomorphology of places and spaces, or structures of power’s territory and enemy through Thai traditional dramatic performance art.

 

The work puts an emphasis on the actors and the set designs, considering them as bodies and fictional areas and presents complexity of co-existence under a space created anew.

 

 

In this work, Anupong brings up Susan Stewart’s theory (b. 1952) which refers to an idea describing that social bodies and reflections are those resulted from social and cultural contexts, bodies and implementation of power, and knowledge which is the base for discursive implementation of power.

The interpretation of bodies in a surrealist approach called "grotesque bodies" should be reinterpreted and reconsidered in an inside-out manner or in a manner of symbolic inversion in order to unbuild original traditions and rearrange the power in an inverse manner. These grotesque bodies should be considered as a syntax or relational structures of grammar in art to re-analyse the meanings of complex places and spaces more deeply.

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